Meanwhile, as I sit here writing… (plus, Photo blog 89, sort of)

Some observations from the past several days:

  • I just finished a story. When I started it, half of me wanted it to be a piece of flash fiction, and the other half wanted it to be a novella. The first draft wound up being 5,200 words. I met myself in the middle.
  • Having this blog, and interacting with other writers, has led me to meet a lot of really cool people. But today I got an email from a total stranger who wants me to review a poetry book. And I got the book (it’s digital). That doesn’t happen very often — it’s not like I’m a lit magazine or a professional reviewer or something. But hey, it’s pretty cool! I haven’t read the book yet, but if I can get around to it sometime soon, I’ll let you all know how it is. (And everyone, please feel free to send me stuff! I love you all and I would love to share your work! But I ain’t promising to like it, or even to have time to read it. I’m just saying.)
  • Speaking of liking or not liking work: today I got a rejection. Which I don’t take personally — it’s not an easy story to place. But I waited 208 days for a thin form rejection of a 570-word story. I know people are busy, and I’m just as guilty as the next guy about taking too long to get back to people, but man, it’s flash fiction people. It’s not that hard. So after 208 days, I might at least have expected the easy toss-on line of “Sorry for the long delay….” Manners: some people have them, other people don’t.
  • And speaking of manners: I recently met Katharine Hargreaves, one of the editors of Whole Beast Rag. Check them out, because they’re doing something few people are doing right now: they’re a literary magazine that wants criticism. Seriously: it’s a rare creature, this Whole Beast, because for the most part writers and critics are fairly suspicious  of each other and don’t often hang out in the same circles (writers who ARE critics tend be just a little bit crazy), but to be perfectly honest, that division is fostered and nurtured in many a grad school program and is must less nerve-wracking out here in the Real World. So here comes Whole Beast Rag, saying screw you to the status quo and putting Lit and Crit side by side. And, unlike many academic critical mags, they’re not all snobby about their work. They want good, sound, well-written criticism, so you’re not going to get away with sloppy work and bald amateurism, but don’t think you need a PhD to read or write for this fine publication. Give them a whirl. They’re pretty rad.

In other news:

I have been really fortunate to meet a lot of really cool writers since I moved to Portland. Not all of them live in Portland, but many of them have connections to other writers in Portland or have read here. Here is what some of them have been up to:

And finally:

This month, Unshod Quills is celebrating its first anniversary, and Dena Rash Guzman invited a bunch of past contributors and other local litsters out to UQ Headquarters for a big shindig to celebrate. Here are some photos of writers being crazy:

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(I took all these photos. Except the two I’m in, of course. Later, there was a campfire, and the following morning coffee by sunrise, but I don’t have pics of those. Also, I’m not labeling these — it would just be too complicated — but if you’re curious, writers/editors/etc. in these pics include Chad Reynolds, Dena Rash Guzman, Hobie Anthony, Kerry Cohen, Kevin Sampsell, James Bernard Frost, Katharine Hargreaves, Laurel Hermanson, Monica Storss, and my wife, Jennifer Snoek-Brown. And a bunch of other people — I lost track after a while.)

Published by Samuel Snoek-Brown

I write fiction and teach college writing and literature. I'm the author of the story collection There Is No Other Way to Worship Them, the novel Hagridden, and the flash fiction chapbooks Box Cutters and Where There Is Ruin.

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