Crayons, conflicts, crises, and catastrophes: how I’m outlining my new novel

When I was in grad school, I once participated in a group presentation on Vonnegut’s Slaughterhouse-Five. I forget what all the group as a whole wound up saying, but I remember clearly that my first instinct was to focus on that famous first chapter, where the author of the book (Vonnegut himself?) explains why and how he went … More Crayons, conflicts, crises, and catastrophes: how I’m outlining my new novel