More people reading Box Cutters

A little while ago, I posted a series of photos of my book — sometimes with the the people who bought it, sometimes in weird locations — and it was great fun! Since then, more photos have been coming in, so here’s another round of folks who’ve bought my chapbook, Box Cutters:

from author, publisher, and pal Ryan Werner
from my good friend, Midwest author and publisher Ryan Werner
from my college friend and Texas teacher, Phillip Chavez
from my college friend, ESL teacher Phillip Chavez
from YA author Michelle Modesto
from my writer friend, YA author Michelle Modesto
from me -- that's my own bookshelf, where all my short fiction lives
from me — that’s my own bookshelf, where all my short fiction lives

BONUS:

We Were Giants, by Christopher Bowen; Instructions for the Orgy, by Jeffrey Hecker
We Were Giants, by Christopher Bowen; Instructions for the Orgy, by Jeffrey Hecker

Today I got a new shipment of my own chapbook in the mail, and since I knew it was coming, I took the opportunity to order two of my pressmates’ chapbooks, too. That’s Christopher Bowen’s We Were Giants on the left, and Jeffrey Hecker’s Instructions for the Orgy. They both look great, and I can’t wait to tuck into them this holiday weekend!

Have you ordered the book? Take a photo of it and share it with me! I’d love to see where my book is living these days. 🙂

Putting our shoes on. Saying goodbye.

It turns out that nothing lives forever. Every time I realize that, I realize it anew. It’s never any less shocking.

Kurt Vonnegut’s “Everything was beautiful, and nothing hurt.” From Slaughterhouse-Five.

So begins the heartfelt — and heartbreaking — adieu from my colleagues Dena Rash Guzman and Wendy Ellis at Unshod Quills, which is closing up shop this month.

These things happen. All too often in the literary world, it turns out, but, as the departed Kurt Vonnegut used to say, So it goes.

Still, it’s a sad thing whenever any literary magazine has to hang up the proverbial pen and turn out the lights. And while I’ve only had the good fortune to work with Unshod Quills for the past year, I’ve known them for most of their run, first as a reader and then as a contributor before I signed on as prose editor. So this is especially sad for me, because I’m not just going to miss reading the beautiful contents of the magazine, I’m also going to miss working with such beautiful colleagues.

Well, sort of — the great thing about being involved in literature, as opposed to a spectator of literature, is that I still get to talk to and hang out among and share ideas and work with the Unshod Quills gang — Dena and Wendy as well as Donald Rilea and Brian Tibbetts and Holly Hinkle — so the loss isn’t so terrible.

And, of course, Unshod Quills itself isn’t going anywhere. The archive of work will remain online for as long as we can maintain it (“UQ will stay at this URL, ad-free, until we run out of donations given by our readers to keep it here. That will be for at least one more year”). And the writers and artists we were lucky enough to publish are still out there, producing and publishing new work in other magazines.

So maybe it’s not such a terrible loss after all.

We were here, for however long we were here, and while we were here it was wonderful.

IU Southeast Writing Contest Winners, 2013

Screen shot 2013-11-21 at 7.09.25 PMI’m very proud to have judged the fiction section of the Indiana University Southeast Writing Contest this year. My friend Steve Bowman, who teaches there, recommended me as one of the contest judges, and I had a great time reading the submissions.

My congratulations to all the young writers who sent in such good short fiction, but special nods to S. Asher Taylor (1st place for “The Arrival”), Glynnis Bernier-Clarke (2nd place for “The Forecast”), Andy Smith (3rd place for “Carnivores”), and John Templeton (Honorable Mention for “Knock”). These are writers to keep an eye out, for, gang — I’d wager you’ll be seeing their names in literary magazines one of these days.

NC Teacher: “I Quit”

It’s been a while since I’ve posted anything related to education, but this one feels important. It’s set in North Carolina, which is an absolute disaster, but there’s a reference to the recent problems with educational funding here in Oregon, and a lot of what this teacher describes reminds me of my own mother’s frustrations with education in Texas, which drove her to gleefully retire. So this feels personal to me.

Some highlights from the laundry list of problems this teacher calls out:

I refuse to subject students to every ridiculous standardized test that the state and/or district thinks is important. I refuse to have my higher-level and deep thinking lessons disrupted by meaningless assessments (like the EXPLORE test) that do little more than increase stress among children and teachers, and attempt to guide young adolescents into narrow choices.

I refuse to watch my students being treated like prisoners. There are other ways. It’s a shame that we don’t have the vision to seek out those alternatives.

I refuse to watch my coworkers being treated like untrustworthy slackers through the overbearing policies of this state, although they are the hardest working and most overloaded people I know.

I refuse to watch my family struggle financially as I work in a job to which I have invested 6 long years of my life in preparation. I have a graduate degree and a track record of strong success, yet I’m paid less than many two-year degree holders. And forget benefits—they are effectively nonexistent for teachers in North Carolina.

I’m tired of watching my students produce amazing things, which show their true understanding of 21st century skills, only to see their looks of disappointment when they don’t meet the arbitrary expectations of low-level state and district tests that do not assess their skills.

Is it possible to cheer for someone while simultaneously feeling heartbroken?

dianeravitch's avatarDiane Ravitch's blog

A letter from a disgusted teacher:

I QUIT

Kris L. Nielsen
Monroe, NC 28110

Union County Public Schools
Human Resources Department
400 North Church Street
Monroe, NC 28112

October 25, 2012

To All it May Concern:

I’m doing something I thought I would never do—something that will make me a statistic and a caricature of the times. Some will support me, some will shake their heads and smirk condescendingly—and others will try to convince me that I’m part of the problem. Perhaps they’re right, but I don’t think so. All I know is that I’ve hit a wall, and in order to preserve my sanity, my family, and the forward movement of our lives, I have no other choice.

Before I go too much into my choice, I must say that I have the advantages and disadvantages of differentiated experience under my belt. I have seen the other side, where…

View original post 1,450 more words

People reading Box Cutters

I have some fantastic friends. By which I also mean readers, but what’s the difference? As far as I’m concerned, anyone who reads my work is my friend!

On Friday, November 15, my chapbook, Box Cutters, began arriving in mailboxes (including mine), and readers/friends began posting photos of my book as it found all its new homes. So I thought that here, with their permission, I would share their photos of the book.

from my friend and Unshod Quills colleague, Wendy Ellis
from poet and my Unshod Quills colleague, Wendy Ellis
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from my sister and children’s book author, Sara Snoek Postalwait
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from author and WhiskyPaper editor, Leesa Cross-Smith
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from poet and literary agent (my agent, in fact), John Sibley Williams
my grad school pal and horror author, Eric S. Grizzle
my grad school pal and horror author, Eric S. Grizzle

(Bonus photos from Eric S. Grizzle! Graveyards and moonrises from a horror writer!)

Have you ordered the book? Take a photo of it and share it with me! I’d love to see where my book is living these days. 🙂

NaNoWriMo update: Week 2

It has been a whirlwind week, y’all — my book got released, I gave a reading and lecture, I made it to the finalists list for the Million Writers Award — so I haven’t been able to keep up with the writing as well as I did the first week of November. I’m currently behind schedule by about a thousand words, and I don’t look likely to catch up tomorrow.

Still, I’ve crossed the halfway count and am currently sitting on 25,887 words, most of them pretty damned good. And while I’m still in “write whatever scene grabs you” mode, and am therefore all over the place in the plot with little hope of pulling the book together cohesively anytime soon, I haven’t gone completely off the rails, so the novel’s general story is still pretty clear. In fact, in some ways, it’s even clearer: just yesterday, a friend of mine was talking about this podunk town near where she grew up where all the women used to have their teeth pulled and replaced with dentures as a wedding present! Which then got my wife talking about this other small town near where she grew up — in the same region of Texas where my novel is set — and that got us both researching the Texas town, only to discover it had a pretty rough reputation back in the time period my novel is set . . . . So now my novel’s badass — the protagonist’s rival — is from that rough-and-tumble frontier town, and I’m trying to find some way to work in the teeth detail, too.

The stuff you come up with when you’re waist-deep in a book.

Anyway, here are some excerpts:

I had known Sergeant Tom for nearly a week before I realized he wore a wedding band. It was thin and nicked from rough wear, and he never fiddled with it the way so many men will, almost as though he’d forgotten it was still on his finger. When I spied it, I asked him where his wife was. He became quiet and looked at his ring as though for the first time, like someone else had placed it there without his knowing — his eyes widening with sudden recognition.

“My wife is in DeQueen,” he told me. “She is in the ground. ”

“I’m so sorry Sergeant Tom. Had I realized I would never have pried. ”

“It’s of little consequence I suppose. It’s been some two or three years now. She died in childbirth. Afterward I took to drinking a hard spell. I don’t even recall for how long it went on. I only recall waking with the split head in a jail cell. I don’t mean just from the hangover, I mean there was a gash down the back of my skull and the bone itself exposed. Or so I was told, my head being wrapped in bandages then. I asked the jailer how I’d come to be there, and he told me I’d been in a fight. I asked how the other man looked, or if maybe I had killed him and that was why I was in the cell. But he told me that it hadn’t been just the one man. I’d fought half the men in town in one night and it wasn’t until one of them pistol-whipped me so hard he like to crack my head open that I finally went down. And in other news, he told me I owed the saloon owner a good forty-five dollars for all of whiskey I had consumed. I asked him how long I had been drinking to consume that much whiskey, and he told me no one could be sure, all the days and nights run together as they were. The saloon man claimed that I had been there from open to close every day for three days and nights, and each night, though I’d consumed enough to kill a man, I somehow had the wits about me to still order a full bottle and a glass, which I carried into the street where I continued until the saloon man returned downstairs in the morning the open up again. At which point I would stagger or sometimes crawl back inside and carry on.”

***

In Salem, we encountered a man named Napoleon Kempe, a tall, rugged individual with broad shoulders and skinny legs. He towered over all three of us — he could just see over the top of Bill Caviness’s hat, and if he’d dared he could easily have rested his chin on the crown of Sergeant Tom’s head. His coat was snug against his arms and shoulders, the cuffs exposing his wrists and part of his forearms, while his trousers hung loose and were cinched with a rope at his narrow hips like the drawstring sack. Dressed like this, he seemed two different men stitched together.

Leon Kempe came from Tennessee and was making his way into the heart of Texas, aimed for a German settlement in the rolling hills north of San Antonio. He had a brother there who had sat out the war, a decision that had torn the brothers apart, and they had not so much as written to each other in almost four years, until he received notice a few weeks before we met him. His brother, John, had gone to Mexico to sit out the war, and there he’d met and married a woman. With the war over, the brother was making his way back into Texas and hoped he might reconcile with his younger sibling, if only so John Kempe’s children might know their uncle. And so Leon, a gentle man by nature and as kindly as he was imposing, rode to make amends.

He told us this over a whiskey at Sergeant Tom’s expense, the two men sipping their drinks through swollen lips and loose teeth, for almost as soon as they had met, they broke into a fight. Sergeant Tom recognized at once the utility of a man as massive as Leon Kempe, and he decided on the spot to recruit him into our company. But he knew, too, that no man so big would have any need to follow another unless he saw a reason to, and Sergeant Tom could think of only two ways to persuade the mountainous man: he could either lick Leon Kempe in a fight, or prove that he was brave enough to attempt it and not worth crossing no matter the outcome. And so he approached Leon in the street, calling out to him in greeting, and when Leon extended his big hand for shake, Sergeant Tom raised up on his toes and punch Leon square in the nose.

***

A light rain misted in from the northwest and the horizon had gone the color of a horseshoe. I passed a fingertip over the line of clouds low to the earth and I spoke in a low voice to Sergeant Tom: “Looks like a storm’s coming in. ”

“We’re in Texas,” he said. “There’s always a storm waiting somewhere out here.”

Finalist in the storySouth Million Writers Award

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storySouth

Ladies and gentlemen! Have I got news for you!

My story, “Lightning My Pilot,” is currently a finalist for the storySouth Million Writers Award!

And YOU get to vote on the winner!

This is huge news, gang, and I am absolutely THRILLED by it!

If you haven’t read the story yet (or just want to read it again), you can find it at Bartleby Snopes. Otherwise, head straight over the Million Writers page and cast your vote (for my story, I hope, but hey, fair’s fair — vote your conscience, folks!).

 

Literature ripped open with a razor blade

You know what, gang?

Box Cutters is HERE!

Box cutters animated

And yes, that’s a Stanley box cutter, like the one on the cover, I’m using to rip open the box. When the mail came today, I walked two blocks down to my local hardware store to buy one just for the occasion.

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Reading from Hagridden at Chemeketa Writes

Yesterday, I had the tremendous privilege to participate in Chemeketa Writes, a program at Oregon’s Chemeketa Community College where writers speak to students about the craft of writing and read from their work. I was the first reader on the Yamhill campus in McMinnville, so it was a double honor for me!

The poster for my Chemeketa Writes reading in McMinnville, OR, 2013.
The poster for my Chemeketa Writes reading in McMinnville, OR, 2013.

The poster for my reading was designed by students in a Chemeketa design class, and I love their final draft! (One correction: the caption under my portrait claims I’ve won an Oregon Book Award, which I haven’t — I’m an Oregon Literary Fellowship recipient.) But when I arrived for my reading, I was thrilled to discover all the other prototypes the students put together — they’re all so impressive! I would have been happy with any of them!

I read from my novel Hagridden, the book that earned me an Oregon Literary Fellowship, and talked about how I came to write that novel and the kind of research I did for it. I wasn’t sure going in how that part of my talk would go over, but it’s something I love talking about, and the audience seemed interested in it.

Then I read a few selections from the novel, which also went over exceptionally well!

During the Q&A, people asked great questions about how I captured the inner lives of two women in the Civil War and what symbolic functions the rougarou serve in the novel.

Of course, yesterday wasn’t just about my novel — it was also the release day for my chapbook, Box Cutters, from sunnyoutside press. So I got to talk that up a bit and, while I haven’t yet received my copies and so didn’t have any on hand to sell, several people in the audience came up afterward to sign up to receive a copy as soon as they arrive!

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Overall, it was a fantastic day, and I’m thrilled to have been invited. Thanks to all my colleagues and students at Chemeketa Community College for putting the reading together and attending so enthusiastically! Special thanks Jan VanStavern, who organized the event; to the students who designed all those amazing flyers; to my wife, who helped me prepare the research talk and made a stack of very cool cards to hand people who wanted more information about how to keep in touch; and to everyone who bought my book yesterday.

Jennifer Snoek-Brown designed this card for me.
Jennifer Snoek-Brown designed this card for me.

Box Cutters: RELEASE DAY! (excerpt #6)

1397915_598757960190403_1143047675_oFor the six days leading up to the official release of my chapbook, Box Cutters (sunnyoutside press), I’ve been posting the first sentence or two of each story in the chapbook, one each day, as a kind of teaser for the book.

And today is RELEASE DAY!

So here is excerpt #6, and if you like something you’ve seen and want to read more, you can head over to sunnyoutside and order your copy now.

Every new guy in the bar took a chance with LoAnn. From behind, she was a fox. The heart of her ass rested firm on the barstool, her body thick where it matters. The ventriloquist dummy never turned them off.