EJ Runyon’s new book, A House of Light and Stone

My friend EJ Runyon published a book last month and I’ve been meaning to tell you about it! It’s called A House of Light and Stone:

EJ Runyon Jo&D

Told in uncompromising clarity through the eyes of a child, A House of Light and Stone is at once full of heartbreak and hope, offering respites of warmth in the coldest of places.

You might remember EJ from the interview she did with me two years ago this month. You can find the first of the three-part series on her blog.

Congratulations to EJ on her new book!

New publication

A pre-columbian Chatino stela depicting a nagu...
A pre-columbian Chatino stela depicting a nagual transforming into a jaguar. His name is inscribed in Zapotec glyphs on his abdomen and translates to “5 Alligator”. (Photo credit: Wikipedia)

For the past few months, I’ve been writing new short stories related to my Civil War novel, Hagridden. Each story involves a minor character or two from the novel, people who have some important moments in the book but are definitely supporting characters to the main narrative; in these stories, those folks get their own narrative.

Today, SOL: English Writing in Mexico published the third of those stories, “Jarabe.”

This one addresses the Jimenez brothers, Mexican men who operate a tent shop in a poor section of Leesburg. In the novel, they interact with both the women and the Confederate soldier hunting for Buford, but in the short story, the Jimenez brothers have not yet moved to Louisiana — they’re still in Mexico, fighting in a border war known as The Cortina Troubles.

This means that, unlike the other two stories related to Hagridden (“What Have You Done to Deserve Such a Halo,” in Bartleby Snopes; and “The Voices Captain Brewster Heard,” in WhiskeyPaper), there’s no mention of the Cajun werewolf legend of the rougarou. But don’t worry, fans of the quasi-supernatural: “Jarabe” does play with Brujería and with indigenous Mexican legends of the shapeshifting naguals. 🙂

Meanwhile, Hagridden is still going strong — I keep getting positive feedback! Don’t own a copy yet? Find one in a bookstore near you! Or order one online!

An appointment with loads of amazing writers

A couple of evenings ago, I went over to The Jade Lounge in Portland to hang out with Dena Rash GuzmanYuvi Zalkow, Julia Clare Tillinghast, and Parker Tettleton as part of Timothy Gager‘s book tour for his new novel, The Thursday Appointments of Bill Sloan.

We had a grand time. Despite the noise in the kitchen and the uncharacteristically limited beer options that night, I do dig The Jade Lounge as a reading spot — it’s so wonderfully dark and intimate and kind of jazz-loungy — and the company was terrific. Everyone there is a talented poet or fictioneer (that’s not a word but it ought to be), and I sold a few books and got loads of kind compliments on Hagridden. And in a weird coincidence, the guy who walked in during my reading, just looking for a beer in one of his favorite bars, turned out to be one of my former students! He hung around afterward to tell me how his degree is coming along (he’s nearly finished, and I’m looking forward to seeing what he does next, because he’s a talented artist).

As is usually the case in dark bars, it would have been pointless trying to get a selfie with the audience, but my wife managed to snap a couple of decent photos of me, as well as Timothy Gager and Parker Tettleton (who, I discovered, studied with Beth Ann Fennelly and Tom Franklin, two of my favorite writers — and favorite human beings — and Tom Franklin blurbed my novel, so I feel like Parker and I are practically related).

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Parker blogged about the reading and added one of the goofy group photos we did afterward. Timothy also blogged about the event, where you can find even more photos of our shenanigans (including his napkin-note telling the noisy kitchen staff to shut it!) as well as some genuine praise for my beloved hometown. (Thanks, Timothy!)

Stay tuned for news of more Hagridden events, gang! I’ll be down in Salem, OR, in a couple of weeks. But that, as they say, is another story post. 🙂

The Jersey Devil watches mermaid porn

October 14 cover frontThis might somehow be both the sexiest and the least sexy issue of Jersey Devil Press ever. I mean, on the one hand, we have a mermaid porn star and a dental assistant hot for bald men with cavities. But on the other hand, she’s hot for cavities! And there’s also a mind-controlling baby — a proven turn-off in any situation!

Of course, this is October, so there’s also plenty to chill your spine, including a satanic ritual that starts with frozen plumbing and a cremated corpse packed with explosives.

And unemployment.

Plus a spooky cover from Russian artist Yuri Shwedoff!

Lots to love (or loathe) in this issue, gang. So sharpen your knives and start stabbing pumpkins!

Reading with Eva Hunter at Annie Bloom’s books

Tonight I have the wonderful privilege of reading from my novel, Hagridden, with the woman who published the first complete, finished excerpt from that novel in her magazine, SOL: English Writing in Mexico. Even better, I got to read a portion of a short story, related to Hagridden, that will soon appear in SOL later this month! And Eva — who read from her memoir, A Little Mormon Girl — and I got to read together at Annie Bloom’s Books, one of my favorite bookstores in Portland!

Requisite reading selfie!
Requisite reading selfie!

(Incidentally, that’s Eva’s daughter, Portland photographer Octavia Hunter, giving me rabbit ears.)

Bonus: Eva selfie!
Bonus: Eva selfie!
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Molly, the resident cat at Annie Bloom’s.

Eva and I signed a few books, but if you missed us, don’t worry: Annie Bloom’s is stocking our books, and some of them are signed copies! If you’re in the Portland area, please do stop by the bookshop and pick up some books.

While supplies last!
While supplies last!

 

Letters of Note: Make your soul grow

This story about Kurt Vonnegut writing to a student is an old story, but it came across my Facebook feed again today and it got me thinking.

I remember when I was in 5th grade, my language arts class went down to the school library and we got into the Contemporary Authors books in the reference section (I remember them being blue). We had to pick a YA author (though back then the term “YA” didn’t really exist) and write to the author. Took most of us a while to find an author, and even longer to figure out how to contact the author through the publisher or agent. I wasn’t even really aware of that intermediary at the time, though of course I must have been because of the way you had to address the letter. In my head, I was writing a letter directly to an author, and I didn’t have any literary ambitions at the time but I was a voracious reader and authors seemed like wizards, like rulers, like mythical beings. The idea that I could write a letter they would read astounded and thrilled me.

Of course, I don’t remember who I picked to write to. The copies of Contemporary Authors were as limited as our time in the library, and the volume I managed to get my hands on didn’t contain any of the authors I wanted to write to (Louise Fitzhugh, Katherine Paterson, Judy Blume), so when the teacher ordered us to hurry up and write down an address do we could return to the classroom, I just picked the first vaguely interesting entry I found and scribbled a name and address.  She was so elderly I wasn’t even sure she was still alive, and I’d never read anything by her, and when I went back later to search the catalogue for her work, I couldn’t find anything in our library. So I was a but dumbfounded as to what to write, but I wrote her. I think I must have asked her the usual questions: where did she get her ideas, what was she working on next.

Some of my classmates got back quick replies, often pre-scripted notes with a stamped signature but sometimes the real deal. My reply took ages, and when it came, it came from the publisher, who informed that sure enough, my author had died some years before.

So much for sage authorial advice.

A couple of years later, I did take it into my head to write a novel, and I attempted it during “sustained silent writing time” in Mrs. Hoffmann’s 7th-grade English class. I didn’t finish it, but I got the page count into the hundreds. Then I switched to short stories and poems in high school, and in college, I tried another novel, a bad Anne Rice pastiche with a vampire.

I wrote Anne Rice. Never got a reply, nor did I expect one, but shortly afterward, I visited New Orleans on spring break and, using nothing but her Witching Hour series of novels as my tour guide, I managed to find her Garden District mansion. A guard stood in a little booth out by the road, and when I approached the house he stepped out of the booth to intercept me, which I expected.

“I don’t suppose she’s in right now, is she,” I said.

“No,” he said. Then he recognized something in my face and added, “And to be honest, even if she was, she wouldn’t come down to meet you.”

“I understand,” I said.

“But I tell you what,” he said, and he reached into the booth and handed me a photograph of Anne Rice with her signature embossed in gold ink. I tucked it into my copy of her novel and thanked him and kept exploring New Orleans.

Since then, I’ve been lucky enough to study with a few authors and to meet a lot more, so the only times I’ve been tempted to write fan mail, it’s taken the form of emails and, later, Facebook messages. Some I’ve met in person at conferences — this past spring, at AWP in Seattle, I gushed like a fool when I spotted Roxane Gay leaving the bookfair. But most of the writers whocan count me as a fan I know enough to contact them online.

But I’m thinking that we’ve lost something in the writing of old-fashioned letters to authors we admire. Or, at least, I feel like I’ve lost something. I sometimes wonder whether it would be cool or not to send an old-fashioned letter and tell an author thanks for their work.

For that matter, I wonder who except the Big Names out there still get legitimate “fan mail” these days. I don’t know how that would go over anymore — the more public our lives become online, the more concerned we become with our offline privacy, and rightly so. Still. I’m sure it’s nice to know when you have a reader out there who loves your work, not because they want anything from you or are caught up in the celebrity of you but just because they’re a reader who loves to read.

I suppose these days that kind of interaction happens most often — and maybe best — in the form of online reviews, on blogs and on bookseller sites. Because authors do pay attention to those things. But I’m curious: when’s the last time you read something and thought, “I sure wish the author knew how much I loved this”?

Did you go to the author’s website and leave a polite comment? Did you email the publisher or the magazine and ask them to pass along your compliments?

If you did, did you get a reply?

 

And if you haven’t, what’s stopping you?

I read a little poetry now and Zen

from Isabella Petty's series of photos in The Zen Space
from Isabella Petty’s series of photos in The Zen Space

I guest-edited the Autumn Showcase of the Zen Space, a zen- and haiku-themed poetry magazine online.

It was hard work finding and collecting and editing the work in this issue, but I’m really excited about the poems and photos I get to share with folks through this experience. Seriously, you should go and experience this thing — I was fascinated by the way the poems and images moved together and play off each other as the work came in, and I hope you enjoy that experience as much as I did.

Much love to the amazing poets and writers and photographers who contributed work to this project!

 

Midwest tour wrap-up (& how awesome Columbus Press is)

Gang, I’m done. I’m home again in Portland.

I have had an amazing time on tour in the Midwest — in Ohio, Indiana, and even a quick trip through northern Kentucky. The readers and audience members and students and colleagues have been fabulous — so supportive, so enthusiastic for my novel! — and seeing old friends and making new friends has been exhilarating.

And then there’s Columbus Press. You guys! You need to do whatever you can to support these folks. Buy my book, obviously, but don’t stop there — BUY ALL THE BOOKS!

The gang at Columbus Press, as well as the literary community in Columbus and the writers resource group Columbus Creative Cooperative, have been outstanding. They wined and dined me (by which I mean whiskeyed and veggie hot-dogged me), and they introduced me to a lot of great venues, and they  set up amazing book-related events that also benefit the community, and they shared their lives with me . . . .

This is what a small press relationship is supposed to be like. Or at least it’s what I always hoped it would be like.

So, in short, the folks at Columbus Press are just all-around beautiful human beings. Writers, I hope that someday you’re lucky enough to get to do business with them. And readers, you can already do business with them and support their work.

Huge thanks, too, to a whole bunch of other folks:

But we’re not done yet, gang. Next Monday, October 6, I’m reading with author Eva Hunter at Annie Bloom’s Books here in Portland, and then on October 10 I’ll be joining Timothy Gager and a whole crew of other writers at the Jade Lounge in Portland. And there’s more on the way, so stay tuned!

Fiction and friends in three states

This book tour has been a wonderful whirlwind, gang, and I’m still playing catch-up on all the fun events I’ve been involved in! So allow me to take you on the fantastic finale of my tour of the Midwest, from Indiana through Kentucky and back into Ohio:

After my Indianapolis gig, I drove south to New Albany, Indiana, where I met up with poet Steve Bowman and theatre costume designer and professor Natalie Brown Bowman. They introduced me to Indiana University Southeast, where I met professors and librarians, chatted with students, checked out Natalie’s costume workshop (which was seriously impressive!), and finally settled in for my reading and craft discussion with the English club and anyone else who turned up.

Just a reminder from the IUS English club that it's Banned Books Week.
Just a reminder from the IUS English club that it’s Banned Books Week.

As it happened, a LOT of “anyone else” turned up! I don’t know the final tally, but there was a sign-up sheet for students, and that thing ran to nearly 30. Plus professors and community members. It was an amazing turnout!

In fact, there were so many folks I had to resort to two selfies (and I still didn’t squeeze everyone in):

Later, my friends took me to the New Albanian Brewing Company, where I was delighted to find a wheat beer called the “Houndmouth,” complete with a poster of a shadowy figure in old-fashioned clothes in a darkened, wood-floored room. What a terrific complement to Hagridden! (And it was a decent beer, too!)

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The next day, I was on my way to Cincinnati, but because the route took me through Louisville anyway, I had the tremendous good fortune to stop off on the way and meet — in real life!!! — the amazing Leesa Cross-Smith!

I'm in the same photo with one of my favorite authors!
I’m in the same photo with one of my favorite authors!

From there, it was onward along the Ohio River. FYI, the Ohio River Valley through northern Kentucky isn’t quite as beautiful as my own beloved Columbia River Gorge, but man, it was stunning. Kudos, Ohio River Valley, and thanks for the scenery!

In Cincinnati, I had a few hours to kill and wound up roaming a few parks and cemeteries, and of course I visited the public library, but that’s for another post. What’s important here is my destination: The Listing Loon in Northside, where, surrounding sets by Ben Walpole of The Minor Leagues, I read with author and Hobart founder Aaron Burch and my publisher, Brad Pauquette. (Brad and I had fun noticing that the bar had misspelled both our names, but the Listing Loon was a great venue with an excellent beer list!)

The event was the monthly Folk & Fiction series, organized by Brooks Rexroat, who also played MC and snapped photos and was all-round awesome.

My phone takes terrible photos in low light, but that's Brooks in the red cardigan.
My phone takes terrible photos in low light, but that’s Brooks in the red cardigan.

The bar was cool, but it was a BAR, which meant it was dim inside except for up at the mic, where we had lights trained on us — which meant there was no way to get a good reading selfie with the crowd. The upside is that, from the audience, I was able to get some decent photos of my fellow performers!

A rougarou poem

Did you know my Dad, Jim Snoek, is a poet? Actually, he’s a storyteller, too — it runs in the blood — but the last several years he’s been writing poems and songs as they come to him, and (in what might be the best compliment to my novel yet) the other night he was up late thinking about my book and decided he couldn’t sleep til he’d written this down.

And now I have his permission to share it with you:

Down on the bayou
Johnson Bayou

Sneaking in the night
By the murky moonlight

To a lustful meet
In the humid heat

Through the foggy haze
You’re seeing things

Red glaring eyes
Blood dripping fangs

Is that a wolf?
On its hind legs?

The panting you hear
Is that your fear?

Your rendezvous?
Is it with a Rougarou?

A rougarou? A rougarou? A rougarou?

Down on the bayou
Johnson Bayou

If you haven’t read Hagridden yet, you might not get all the references. But if you have read the novel, HOW FUN IS THIS!?

I am getting the biggest kick out of how much my dad has enjoyed my novel, and I love this poem/song. (I’m calling it a song, with the lyrics set to a zydeco rhythm, or maybe a cowpunk tune like Holy Moly’s “Werewolf Hardcore”):

Thanks for the words, Dad! =D