Jesse Lee Kercheval sent me mail

“Brazil” and “Space,” both by Jesse Lee Kercheval.

Yes, what you’re looking at is a photo of two books, both by Jesse Lee Kercheval, that arrived in my mail today. And they weren’t in an Amazon box — they were in a thick manila envelope with my name and address handwritten by Kercheval herself.

How, you ask?

It pays to engage the writing community folks!

I’ve known Jesse Lee Kercheval since my grad school days, when I was working as production editor of American Literary Review and was in contact with many of the authors and poets we published. Kercheval has a fairly substantial body of work in ALR, because ALR knows a good thing when they see it, so I swapped emails with Kercheval a few times in the course of my work and I became a fan of her writing.

But when I picked up a copy of her writing textbook, Building Fiction, I jumped from the back of the bandwagon straight up into the driver’s seat, because, gang, that is one fantastic writing text! It’s my go-to book on the craft of fiction, edging out even the ubiquitous (and also excellent) Writing Fiction by Janet Burroway. To be fair, Burroway’s is probably still a stronger text for, say, a graduate workshop, but for the home bookshelves of begining and advanced writers alike I have never found a better, more precise or insightful text on the craft of fiction than Building Fiction. When I took some time away from the classroom a couple of years back and lived overseas, writing practically in a vacuum and trying to make the best of what I’d learned up to that point, Kercheval’s book was indescribably helpful. That’s the mark of a great text: not just one you learn a lot from but one you actively return to and still find useful years down the road.

So when I found Kercheval on Facebook, through a few other mutual friends from writerly circles and the Wisconsin community (Kercheval teaches at UW-Madison), I leapt at the opportunity to reconnect, and she’s proven a great addition to my Facebook newsfeed. In addition to the cool writerly posts she adds, I also get her thoughts on Wisconsin politics (of national importance, people, and because I used to live there and still have friends and colleagues there, I like to keep tabs), her experiences teaching down in South America (she’s become quite the fútbol fan), her writing ideas, even her advice on how to pack for a research trip to Europe (carry-on only, if you can believe it — the woman is amazing!).

Which leads us to these two books. Not long ago, Kercheval revamped her website and, through Facebook, offered free books to the first several people to visit her site and make a comment about the new look. I leapt, people!

Once I was on the list, Kercheval suggested she surprise me with the title(s), which I was very okay with because I love her work and would be happy with anything from her catalogue. And that’s how I wound up with these two books in the mail today — a novella and a memoir! Both are books I’ve been itching to read, so I’m terrifically psyched about this.

Want to explore her work yourself? Check out her website yourself! The writing community is invaluable, gang. Connect with it!

Jersey Devil Press is scary good!

 

Jersey Devil Press’s October issue is out today, and the work is freakishly good, people! Emphasis on the freaks: in addition to ghosts and Halloween stories, we have mermaids, dog-people, Arkansas magicians, and — most frightening of all — brutish adolescent boys trying to grab some boob.

It’s great stuff, and just in time for the scariest month of the year. (Yes, I know the election is in November, but October is the fun kind of scary.)

And once again we’ve been super-fortunate in the quality of our cover art, and after half a year of awesome paintings and illustrations, I’m thrilled to be switching back to photography this issue.

So grab your candy corn and your devil horns and tuck in, gang! 🙂

 

Photo blog 101

“An open mind.” Toad — with brain exposed — in formaldehyde, on the desk behind mine in the faculty offices, Pacific Northwest College of Art, 4 September 2012.

All’s fair in love and literature

Frankly, everyone who published here in September is a winner just for getting in. Read ALL the stories!

Well, the voting is over, gang, and I didn’t win. Which is okay. I didn’t really stand a chance in this. For one thing, I got on the voting bandwagon a full week after it started and just a couple of days before it ended, so the other stories had the jump on me. For another thing, the winning author promoted the heck out of his story, “An Upside Down Flier for a Ferris Wheel,” and he seems to have gobs of readers at his blog, too. And finally, the winning story is damned good. So, hats off, people! And congrats to Dillon J. Welch!

Still, I made a fair enough showing in this thing — at the last minute! — to sneak into third place! And that’s thanks to you all. Thanks, everybody! My heart has warm cockles. 🙂

Fictional election (no, this isn’t about politics)

Lightning Strike in Texas City
Lightning Strike in Texas City (Photo credit: OneEighteen)

Hey, gang. I know, two posts in one day. But I need my readers’ help for two seconds:

Now that it’s the end of September, the excellent Bartleby Snopes is preparing to select their Story of the Month — and you get to vote for the winner!

And since my story “Lightning My Pilot” appeared in the middle of the month, I’m in the running. So, maybe you love that story. Or maybe you like it okay but you think I’m a pretty cool guy so what the heck. Or maybe you hate it and want to vote for some other story just to see me lose — hey, it could happen. But I doubt it, because this is probably my one story that just about everyone likes.

So, give me a boost? Drop by Bartleby Snopes and vote for “Lightning My Pilot.” Or vote for a different story, if you think there’s one that’s better — I won’t hold it against you. It’s about great writing, not about me.

(But it’d be pretty cool if you voted for me.)

I appreciate my readers — they appreciate me right back!

Seriously, I love the heck out of anyone cool enough to sit down and read my blog. People who read regularly — especially people who subscribe? They rock my world! People who actually engage and leave comments? Man oh man: I want to buy them all big boxes of chocolate.

And then there’s EJ Runyon. As if it weren’t cool enough that EJ reads and comments on loads of stuff, and then asked to interview me for her blog (coming in mid-October, folks: stay tuned!), she decided to turn the awesome knob up to 11 and nominated me for a Reader Appreciation award.

Here are the very, very kind things she said about me on her blog:

I’m blushing over here.

(Also, way to put on the pressure, EJ! Now I have to keep discussing the work! Good thing I love talking craft….)

And yeah, I’ve said before that I know these sorts of awards are sometimes just a form of blogging chain letters. But hey, it’s a chain of appreciation, folks, and I just don’t see the downside to that! So, here we go:

To accept the award, I have to follow these rules:

  1. When you pass it on, provide a link to your post, and thank the blogger who nominated you for this award.
  2. Answer 10 questions within your own blog (see them below). This is for new readers to get to know you, as you may be re-blogged or bookmarked.
  3. Nominate other blogs that you find a joy to read. (The rules say 10 is a great number to aim for. EJ named five, so that’s what I’m going to do, too.)
  4. Provide links to these nominated blogs and kindly let the recipients know that they have been nominated.
  5. Include the award logo within your own blog post.

The Questions

Your favorite color?
Blue.  No yello — auuuuuuuugh!

Your favorite animal to include in a story?
You’d think it’d be dogs, because I have a lot of stories with dogs in them. (Sadly, the dogs often die.) But my favorite animal I’ve put in a story so far is a giant tortoise.

Your favorite non-alcoholic drink while writing?
COFFEE!!!

Printed books or e-books?
Oh, print. No question. I don’t mind ebooks, but I think they need to be short. This past month I tried to read Jane Eyre as a ebook and it was just miserable going until I borrowed my wife’s old paperback. But I do have a lot of short chapbooks and stand-alone long stories as ebooks and quite enjoy them.

Your favorite writer(s) now?
Do I have to list them here? Just look at the L-O-N-G list of links on the right, the one labeled “Authors, Poets, Agents & Editors.” I wouldn’t put them there if I didn’t love them. But, okay, here’s a shortlist of people who float my boat at this particular moment: Alan Moore, Alice Munro, Bill Roorbach, Cormac McCarthy, Ethel Rohan, Hosho McCreesh, Jac Jemc, Rusty Barnes, Ryan Werner, Sarah Rose Etter, Tom Franklin. And a bunch of others.

Your favorite writer(s) ten years ago?
Tom Franklin. I’d just finished a masters thesis about him a year or so before, and I was still high on his writing. And Cormac McCarthy, whom Tommy had turned me onto. My tastes haven’t changed a whole lot in the last decade, actually.

Your favorite poet Classic & Current?
Classic: Bashō. No question. I actually don’t read a lot of classic poetry, but the Japanese poets from the 17th and 18th century? They knew, man. Current: Beth Ann Fennelly. Still no question. She is a goddess.

Your favorite time of day to write?
I used to say 3 am. I mean, nothing really got together and flowed before midnight. But I’m getting older, and these days I tend to get rolling in the evening and hit my peak between 11 pm and midnight. And then I fall asleep.

What is your passion when it comes to your writing?
I don’t quite know how to read this question. Isn’t writing itself passion enough? Unless it’s asking what I like to do most in my fiction — what styles or themes I most enjoy employing. In that case — and this is a recent discovery for me, one I still plan to blog about once I can codify it in some useful way — I’ve discovered I’m obsessed with home and community. Not really with domestic life or human society, but with the ways in which home becomes the greatest source of conflict and why people so often fail to connect with each other and yet keep trying, desperately reaching out for one another with the same hands they use to push people away.

But more on that another day.

Now, the nominees:

Bill and Dave’s Cocktail Hour
I’ve mentioned this blog before, but it’s still one of my favorites ever, especially for the discussions of craft and the writerly life.

Bloviation Nation
This is my pal Justin Cooper’s blog. Justin and I went to undergrad together, and I was in awe of his talent. These days, I can barely wrap my mind around the dude. One of the smartest and wittiest guys I know, hands-down.

The Word Made Flesh
I live in Portland, Oregon. I am a writer and a professor. How could I not love a blog devoted to literary tattoos!?

KVENNA RÁÐ
There is an ethereality to Marie Marshall’s little fragments and insights here. Her posts feel like a cool breeze on a fresh autumn afternoon — with just the barest nip of a coming winter.

Just Sayin’
The posts here almost always crack me up. This is snark done right, people. But when they don’t crack me up, it’s because blogger “sheriji” has said something numbingly profound. Seriously, I love this blog.

BONUS: Reel Librarians
Okay, this is my wife’s blog. And EJ already nominated her, so this is kind of redundant. But — all bias aside — good god is this some impressive work. The way she combines hard-core research strategy, deeply insightful “close-readings” of the films, and a casual, easy-on-the-eyes writing style is just inspiring.

A Writer’s Notebook: wing walkers

This happened a bit by accident. But I’ll explain below.

I get all sorts of pilots coming in on the little grass airstrip out on my farm: crop-dusters, helicopters, daytrippers coming in from the next state, on their way south or north like migrating birds. But the other day I had an honest-to-god biplane roar in over the treetops, and I knew before it had bounced to a stop at the end of the strip that I was going to walk the wings.

My great-grandmother was a wing walker. She knew Charles Lindberg before he was a pilot, back when he was still doing airship stunts. She knew Mabel Cody, too, said once she’d even met her uncle Buffalo Bill. Amelia Earhart took her up to walk the wings, though there’s no proof of this except an old silver-toned photo I have in one of my mother’s albums. It’s tucked in there with snapshots of a dancehall, a streetcar in San Franciso, my great-grandparents’ wedding, a blurry dancing dog, and a beach scene, four people I don’t even know wearing thick black bathing suits with snug skirts, the men in unitards. The photo of my great-grandmother is shaky, Earhart’s plane a bright streak against a dark treeline, but for some reason my great-grandmother is the clearest thing in the photo. Her blonde hair is streaming behind her like a flag. She’s smiling at the camera and giving a salute. She’s leaning out over the front of the wing, the only thing keeping her from falling into the propeller the momentum of the big machine beneath her bare feet.

The biplane pilot who landed in my yard wasn’t surprised when I went out to him. I had a glass of ice water and a cheese sandwich, something I did for everyone landing on my farm. He was leaning over his engine, the curved hood folded up overhead. The smell of the grass was heavy in the air, three long lines of it freshly crushed beneath of the hot rubber tires. He held the glass up to my like a toast, his way of saying thanks, and he set the paper plate with the sandwich on his lower wing.

I told him I wanted him to take me up and he said, “Sure, sure!” The easiest thing in the world, bumming rides from passing pilots. But he thought I meant in the cockpit. I corrected him.

He didn’t say anything, just looked at me and breathed through his nose. Then he crossed his arms. I think he was trying to say “Hell no” without actually using the words, but I crossed my arms too and just breathed right back at him.

Finally, he said, “Lady, you are out of your damned mind.”

I said, “Let me show you a photograph.”


People say that human beings aren’t meant to fly. We get the stories of Icarus, we get the long rundown of safety procedures inside our sealed and pressurized cabins as though the slightest thing might destroy the delicate balance that keeps us in the air. We say that skydivers have a deathwish, and we talk about crack pilots and astronauts like they’re heroes. But put your flat hand out a moving car window and feel the air across your skin. Watch a wingsuiter zip through the sky like Superman, just a turn or a twitch all it takes to direct the arrow of the body. The human form is naturally aerodynamic, all rounded edges and lean limbs. The air hugs you.

Earlier this morning, I turned on OPB to listen to the news, but the first thing that caught my ear was that, behind the newscasters’ voices, the producers were playing “The Charleston.” I’m not sure why, but there it was. And I had this vision of myself holed up in some 1930s hotel writing a novel and listening to old jazz on a scratchy radio. I even posted about it on Facebook:

The idea stayed with me all day, so when it came time to do the Writer’s Notebook post, I knew I needed to return to the music.

I didn’t know what I was going to write until I started playing this YouTube video of “The Charleston”: I was watching for the dancers, but they started showing all this other `20s- and `30-era film footage, and there were the wing walkers. It was the most striking image in the whole 10-minute film.

And I have a good writer friend who lives on a farm just outside Portland and, I swear to you, has an actual, working grassy airstrip not 50 yards from her back door. She goes up all the time, though never (that I know of) actually out on the wings.

Anyway, that’s where the idea came from. If you want a formal exercise, call it a combination of writing what you know and using what’s there — just take any stimulus that comes your way and run with it.

Incidentally, I might eventually do something with this, because I have this idea that the pilot is going to take some convincing, so in my head, the narrator takes him inside and offers him lemonade instead of water, but it’s lemonade she spikes with just a little bit of whiskey, not so much he’d notice, but enough, and then she keeps adding whiskey, a little more each glass. Or something. Or maybe she breaks out a bag a weed and offers to get the guy high. Whatever: my idea is that she gets him drunk or stoned enough that she can talk him into it, and THEN he takes her up. Which, of course, is a problem. But I don’t know what’ll happen after that.

Photo blog 100

“Last rose of the year.” The rosebush outside our apartment building, Portland, OR, 19 September 2012.

See also: Photo blog 82, “First rose of the year.”

These days are constant. Get ready to shake them away.

It is official.

It is here.

Shake Away These Constant Days. By Ryan Werner. From Jersey Devil Press.

Yes, it’s true: today is the official release date for Ryan Werner’s brilliant little collection of flash fiction, Shake Away These Constant Days. And you need to buy a copy. Right. Now.

Seriously. I know the word “brilliant” gets thrown around a lot, and I’m one of the worst offenders. So let me back off that word for just a moment and use some other words: “a fist to the ribs.” “a beautiful pummeling.” That’s what Sarah Rose Etter says in her blurb for the book.

Or, Ryan Werner is “an important new voice: quirky, world-wise, and as joyfully rambunctious as your favorite punk rock song.” That’s Tom Cooper,  from his blurb for the book.

Or, “Each story is short and powerful, complete with terse and refined prose that are quick like a boxer’s jab.  […] Werner’s collection still manages to maintain a cohesive unity throughout, like that one song you play on repeat and can’t seem to get out of your head.” That’s from Joey Pizzolato’s review of the book in Curbside Splendor.

Or, “This shining, diamond-hard little gem of a story is a perfect piece of flash fiction.” That’s what I wrote about his story “Back and to the Left,” which is in this book. I called that story “brilliant,” too, and I meant it.

Folks, here’s the deal: I’m biased. Ryan and I work together pretty closely on most of each other’s fiction, and I’ve had a hand in almost all the stories in this book from their inception. I have seen them in their infancy, I helped change their shitty diapers, I’ve watched them grow up, I’ve seen Ryan take them from awkward adolescence into glorious maturity.

So yeah, of course I would think these stories are great.

And yes, I work for the people who published this book, so you’d think I have a vested interest in promoting it.

But let me tell you something: none of us is making any money on this thing. I work for free to begin with, and the publishers had to raise the money just to print it. We didn’t publish this book to get rich. We published it because we have been fans of Ryan’s work from the very beginning and we NEEDED to see this book out there in the world, and we love that we’re the ones who get to bring it to you. This is not a labor of love — it’s a labor of fandom. We are Ryan Werner fans.

So when I tell you that you need to get a copy of this book, I say it as a fan. I say it as a reader of fiction, as a teacher of writing, as someone who loves great prose.

Don’t believe me? Buy the book and judge for yourself.

But if you do buy the book and love it, do me a personal favor and review it? On Amazon, on Goodreads, on your blog, in a lit magazine, on Facebook, on Twitter…. Wherever. I suppose you could review it if you hated it, too, but honestly, I don’t see that happening.

You are going to like this book.

A Writer’s Notebook: yearbook memories

I don’t know what this is or where it would ever go. But it felt good to write.

In my 8th-grade yearbook, on the inside covers where people are supposed to leave their indelible wisdom for the ages alongside their silly doodles and autographs, there is a fantastically artistic signature from Shanna J. She claimed my yearbook’s virginity: “Looks like I’m the first one to sign your book back.” She went on through a light but fun paragraph of memories, complete with doodles of her in a bathtub — don’t get the wrong idea: she performed a dance routine to “Splish Splash” in the school talent show I co-emceed. “You’re the best talent show MC/host/councelor” (sic) she wrote. “Hope you’re around next time I get nervous around balloons.”

I haven’t thought about this in years. Decades, really. I wasn’t sure at first what the balloon reference even was. Now I remember: the “bubbles” in her act were small balloons that kept popping as she got into and out of the prop tub, and they freaked her out. Apparently, I helped ease her nerves. I don’t know how. I probably cracked jokes.

I’d like to say my skills as a comedian are what landed my job as talent show emcee. I come from a family of joke-tellers, and my friends today know me, in part, for my sense of humor. But I do remember very vividly the day I was selected to emcee the talent show.

My teacher and the show’s coördinator, Billie C. Hoffmann, had an old cowboy boot she used as a hall pass. This thing was so ancient it sagged at the ankle so the whole sheath of the boot flopped sideways. The toe curled up. Over the years, students had painted the boot in highlighters, paint pens, and Wite-Out. We cherished it. But in the run-up to the talent show, Mrs. Hoffmann hung the boot on her classroom door. Any student, at any time, could put his or her name in the boot, and from these names, Mrs. Hoffmann would select the coolest, most outgoing boy and girl to serve as co-emcees.

I was not the coolest kid in school, not by a long shot. I also was not as outgoing as I am today. At least, I didn’t feel that way. But the year before I’d run the spotlight for the talent show and loved it, and since I didn’t have any particular talents, I thought maybe I could at least deliver a little pre-scripted banter between acts and get on stage that way. So I put my name in the boot.

I was astounded when I’d been selected as the boy emcee. Excited, sure, but also a bit wary. How on earth had I been picked? I went to Mrs. Hoffmann after school one day — she was my English teacher the year before and oversaw the yearbook I was working on this year, and she and I were becoming friends — and I asked her, just to make sure: “What made you think I was the best boy for the emcee job?”

She said, “I’ll be honest with you. You were the only boy in the boot.”

In my yearbook, Mrs. Hoffmann wrote, “To my friend Sam — fellow coke drinker, fellow talent show star, fellow journalist, all around nice person in spite of the weird laugh, fellow classical music aficionado.” (While my classmates were jamming to The Dead Kennedys and The Cure while working on our yearbook after school, I plugged in my Walkman headphones and listened to tapes of Schubert and Vivaldi.)

On that same page, Stephanie M apologized to me. “I’m so sorry I can’t calm down,” she wrote. “Last year you were one of my good friends.” And of course there’s the obligatory “stay cool forever.”

I didn’t stay cool forever. I don’t recall being particularly cool in middle school, but in high school, I became decidedly uncool. I hung out with the D&D geek crowd, getting milk-bombed in the cafeteria, and once I’d fumbled my way through a string of embarrassing overtures to girls and finally landed myself a real live girlfriend, I systematically alienated all my friends.

And I don’t recall being a particularly good friend to Stephanie, either. I was always cool to her, and when my middle-school friends, in their idiot machismo, sought to diss her as unworthy of friendship (I won’t repeat their insults here), I want to say I stood up for her. But I also don’t remember what I might have done to earn her friendship or make her want to write in my yearbook. My friends thought she had a crush on me. I didn’t know what to think — I felt overwhelmed by attention, and just wanted to crawl into the familiar comfort of weekends playing Nintendo and drinking two-liters of Big Red cola at my friend Josh’s house.

Josh E was one of my two respites from the mundanity of family life. He was the first of my few friends, and he was the first to get a Nintendo, and we would spend whole weekends together at his house playing Super-Mario Bros. He was always better than I was. With our mutual friend Warren, we were a goofy, geeky triumvirate of adolescent bonding, all but inseparable.

I’d lost track of Josh years ago. Even in high school, really: while I was off indulging in what I thought was great romance and shoving all my friends farther into the shadows, Josh — classy guy that he was — had slipped quietly away, not engaging in the drama of bros-versus-girlfriends but simply letting happen what happened. I drifted away; he let me. So I hadn’t heard from him since before graduation.

He died while I was teaching college between my masters degree and my doctorate. I got the email from my father; much later, I got the story from my old high school friends, though to this day I’m not entirely sure what happened. Josh had been driving across the Nevada desert late at night. He’d been in a car wreck — did he flip his truck or slam into another car in a head-on collision? I can only hear the echoing whine of wrenching steel, smell the acrid burn of tire upended in the dark desert air, feel heady from the gasoline fumes. As far as I know, he died instantly.

When I called his mother to offer my condolences, she wept into the phone. His mother was a fantastic woman who liked country music and fed us tortellini — I hadn’t known before then that there was any pasta beyond spaghetti and macaroni. Crying over the phone, she asked me, “Did Josh believe in heaven?”

I don’t know what Josh believed. The only memory I have of us talking about the afterlife was the time I was complaining about the Texas summer heat and he explained how much he loved the heat: “When I die, I hope I go to Hell,” he said. “Heaven would probably be too cold.”

On the phone with Josh’s mom, I said, “We didn’t really talk about that sort of thing very often, but I’m sure he’s in a better place.”

In my yearbook, in a sloppy, open hand and a rebellious disregard for apostrophes, Josh wrote, “Hi Sam, Dont be a Fuck Face, Josh E.

It’s as useful a mantra as any I could hope for. I didn’t heed it in high school. I try to heed it now.

This is a nonfiction exercise outlined and practiced by my good college friend Kristen Keckler in her guest post on Bill Roorbach’s “Bad Advice Wednesdays” series. Her post’s title: “Bad Advice Wednesday: Reelin’ in the Years.” The gist: dig out your old high school yearbook, check out the signatures there, and let the memories flow.

So I did just that. Except my senior yearbook doesn’t have any autographs — by that point, I was so adolescently rebellious and so disillusioned by my high school years that I’d given a big middle finger to the whole tradition of yearbook signing. Plus, I knew no one would want to sign it anyway: I was kind of a dick in high school. And I wasn’t one of the cool kids, so who would want to sign my book?

That was the story I told myself then. These are the stories I tell myself now: I was on my way out, not looking back, and couldn’t be bothered to track down signatures. Also, I was absurdly shy and didn’t want to face the rejection of someone choosing NOT to sign my yearbook.

My freshman yearbook is similarly empty, though I couldn’t tell you why.

So I had to go back to my middle school yearbook, eighth grade year, where, miracle of miracles, I do have a handful of signatures, most of which I reference here.

All the names here are real, though, as I said, Josh has since died, and Steph has since married and changed her last name. She is a great friend today, and I’ve tried to live up to her early and probably too kind estimation of me. Shanna I haven’t heard from since school. I did reconnect briefly with my dear Mrs. Hoffmann, who now insists I treat her as a colleague and call her Billie. She remains one of the coolest teachers I’ve ever had.

Incidentally, I don’t have her autograph, but if anyone’s curious what famous ESPN Sports Nation host Michelle Beadle looked like in 8th grade, I totally have her photo in my yearbook. 🙂